In memoir, a self is speaking and rendering the world. The real subject is your consciousness in the light of history. The objective is to be personal and impersonal all at once. In a sense it is to be a witness and a storyteller. The hallmark of memoir is the expression of both Now and Then. It is a kind of shuttling back and forth between the past and present, interrogating the experience back then and expressing what that experience means to us now. We can also think about this as the “I” that was then and the “I” that is now. Or, imagine that your present self is having a conversation with your much younger self. Memoir begins with a kind of intuition of meaning. The event itself usually happened years ago and a memory, a scene, lingers. I remember weeping in a kitchen in a lonely apartment in a foreign country in 1968 and devouring a box of graham crackers – a big box.  Whenever the memory came back, I was uncomfortable. When I eventually described the scene by writing about it, the events before and after came flooding back and I started to get closer to the story. Memories survive on fleeting things – a wisp of a fragrance, a plaid shirt your father wore, a song that reminds you of another song. These details are the starting point for the deeper story.. Writing memoir is a way to figure out who you used to be and who you are today. It is mental and emotional time travel and sometimes it might involve actual travel. The memoirist Patricia Hampl wanted to understand who she was as a free-thinking […]