Writing About Traumatic Events

How many times have you heard people say in the aftermath of a traumatic event: “I just can’t talk about it right now.”  They are mute, as if the right words have not yet been invented to pinpoint their feelings. Some eventually find expressive relief by writing poems, essays, memoirs, keeping a journal or even describing what happened on Facebook.  Those who are visually oriented may speak through the creation of a painting or other art project. There are no rules or even guidelines for self-expression at the boundary of trauma but many who have been through the experience say that describing it to another person does help. Finding the words Our body tells us when we’re ready to unpack and codify feelings, to put words or other artistic expression around painful experiences. For some, even recollection of the experience can stay tucked away for years and emerge years later, perhaps when another life-changing event dredges up old memories. A Vietnam War veteran once shared with me that he didn’t speak about the war he experienced until years later when his son was about to be deployed to Desert Storm in the early 1990s: “It hit me like a ton of bricks – my son might be about to experience the same horrors that I had witnessed. I had to start talking, sharing my own experience, after twenty years of silence.” Owning the story Sometimes the burden of owning the story is so great that there is a need to fictionalize and tell it as if it happened to someone else. It can take months or years to become comfortable with the telling.  Whatever the starting point, be kind to […]

Eat, Walk, Write: Food for Thought

One of my challenges in the writing process is how to be connected to the work and far enough away at the same time. It is like the desire to look through the wrong end of a telescope and be magnified unto myself – at a distance. I can work for hours laying down words and sentences and still feel I am not quite “there” on the page. My usual impulse is to get up and go to the refrigerator, just to check and see if something delicious has magically appeared there. I can convince myself that, even though I stock the frig, something new and different might have arrived by magic between paragraphs.   The amazing thing is that this little trip away from the desk helps the writing almost instantly. As soon as I stand up from my desk, a sentence will reorganize itself in my head.   Jonah Lehrer says in his book Imagine: How Creativity Works that this is the “outsider” problem. A writer reads her sentences again and again and very soon begins to lose the ability to see her prose as a reader. (In other words, I think I know exactly what I’m trying to say, but that’s because I’m the one saying it.) A writer must edit as if she knows nothing and doesn’t know what these words mean. She must somehow become an outsider to her own work. Novelist Zadie Smith […]
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